FACE A >
Dance / materiel / sound (Premières : november 2024) 3 years and more
Designer and director / Amélie Poirier (Nouveaux Ballets)
Show without text (With the exception of one audio sequence, which we can easily translate).
FACE B >
Clown / objects and material / documentary theater
(Premières : november 2024) 7 years and more
Designer and director / Amélie Poirier (Nouveaux Ballets)
The show includes some text (The text can be translated live, orally by a local actress at the microphone)
The two sides of the show can be played together or independently.
After the show SCOOOOTCH! (2 years +) created in 2021, Amélie Poirier continues her research into the performative and playful nature of playing with objects in 2 mutually echoing forms for two different age groups.
Inspired in particular by the writings of author Sarah Schulman on relational repair processes, MAGNÉÉÉTIQUE brings that vintage object (unknown to the youngest), the Tape up to date in two different ways.
FACE A of the show (3+ years) choreographically stages the power and reconciliation between the two performers. Taking up the supposed musical language of the K7 (play, pause, fast forward, etc.), a whole choreographic vocabulary is brought to life, linked to the vocal score of one of the performers. Like the two poles of a magnet, opposing and attracting, their bodies and presences tell the story of the ties that bind us to others, whether taut or progressively more flexible. Our desire for fusion is revealed, as is our desire for emancipation.
As a climax to this performance, the two performers create a performative orchestra from old tapes machines. Chorality and spatialization are created live with the objects, playing with musical responses in relation to the performers' movements.
MAGNÉÉÉTIQUE's FACE B (7+) is a solo performance by actress/clown Marjorie Efther. This time, the K7 appears as a medium for oral archives, a way of summoning both memory and documentary theater. Mired in they everyday objects, locked in an interior they doesn't want to leave, they seems to be looking for resources to repair past conflictual relationships. Through a documentary work that aims to reflect on our “ghost archives” (those archives that administrations ignore), the aim is to observe our ways of relating to others and repairing relationships that seem to be breaking down. Apologizing and daring to be vulnerable. In collaboration with clown Marjorie Efther, we're also putting laughter back at the heart of the crisis. How can humor support us and cut short conflict?
> Full length video on request from January 2025